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Ограды (2016)

Fences (original title)
PG-13 | | Drama | 25 December 2016 (USA)
Trailer
2:27 | Trailer
A working-class African-American father tries to raise his family in the 1950s, while coming to terms with the events of his life.

Director:

Denzel Washington

Writers:

August Wilson (screenplay by), August Wilson (based upon his play "Fences")
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Popularity
1,518 ( 25)
Won 1 Oscar. Another 52 wins & 107 nominations. See more awards »

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Cast

Complete credited cast:
Denzel Washington ... Troy Maxson
Viola Davis ... Rose Maxson
Stephen McKinley Henderson ... Jim Bono
Jovan Adepo ... Cory
Russell Hornsby ... Lyons
Mykelti Williamson ... Gabriel
Saniyya Sidney ... Raynell
Christopher Mele ... Deputy Commissioner
Lesley Boone ... Evangelist Preacher (as Leslie Boone)
Jason Silvis Jason Silvis ... Garbage Truck Driver
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Storyline

Troy Maxson makes his living as a sanitation worker in 1950s Pittsburgh. Maxson once dreamed of becoming a professional baseball player, but was deemed too old when the major leagues began admitting black athletes. Bitter over his missed opportunity, Troy creates further tension in his family when he squashes his son's chance to meet a college football recruiter. Written by Jwelch5742

Plot Summary | Plot Synopsis

Taglines:

Some people build fences to keep people out - and other people build fences to keep people in.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements, language and some suggestive references | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Site

Country:

USA | Canada

Language:

English

Release Date:

25 December 2016 (USA) See more »

Also Known As:

Ограды See more »

Filming Locations:

Pittsburgh, Pennsylvania, USA See more »

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Box Office

Budget:

$24,000,000 (estimated)

Opening Weekend USA:

$129,462, 16 December 2016, Limited Release

Gross USA:

$57,642,961, 24 March 2017

Cumulative Worldwide Gross:

$64,098,857, 20 March 2017
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The first Oscar nominated performance by Denzel Washington in a Best Picture nominated film. See more »

Goofs

While sharing the pint of gin the first Friday night, the label on the bottle keeps changing direction while Troy has it on the table next to him. See more »

Quotes

[first lines]
Bono: [riding their garbage truck job] Troy, you oughta stop that lyin'.
Troy: I ain't lyin'. The nigger had a watermelon this big. Talkin' about "What watermelon, Mr. Rand?" I liked to fell out... "What watermelon, Mr. Rand?" And it's sittin' there bigger than life.
Bono: What Mr. Rand said?
Troy: He said nuthin'. He figured the nigger too dumb to know he carryin' a watermelon, he wouldn't get no sense out of 'im. Trying to hide that great big watermelon under his coat. Afraid to let the white man see him...
See more »

Connections

Featured in Film '72: Episode #46.5 (2017) See more »

Soundtracks

Judgment
Written by Mary Nelson (as Sister Mary Nelson)
Performed by Mykelti Williamson
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Frequently Asked Questions

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User Reviews

 
The Last Post
18 March 2017 | by bob-the-movie-manSee all my reviews

In "Fences" Denzel Washington plays Troy – a bitter, self-centred and selfish man in his mid-fifties who loves the sound of his own voice. They say "empty vessels make the most noise" and here is a case in point. Set in the early fifties, race plays a strong card in every aspect of life, and Troy feels betrayed by a failed baseball career that – in his eyes at least – looked over his skills to the colour of his skin. But Troy is also a stubborn cuss, and refuses to acknowledge that even in the 50's "The times they are a changing'". His cussedness puts him on a collision course with his teenage son Cory (Jovan Adepo), given his aspirations for a college football scholarship, and his mother (Viola Davis, "The Help") tries to keep the peace between the two of them.

This is a film primarily about resistance to change. All those changes in the outside world are on the 'other side of the fence' that Troy habitually tries to finish but never seems to put his mind to. Fences keep things out; but they also keep things in, and Troy is in a cocoon of his own making. He justifies his actions as a 'family provider' with lengthy speeches but ultimately they deliver hollow words and assertions that don't stand up to scrutiny.

This is a pressure cooker of family life that is primed to blow, and a revelation (which I didn't see coming) sets that fuse alight.

This is a film worth watching for the acting performances of Denzel Washington and (particularly) Viola Davis, winner of the Best Supporting Actress BAFTA and a strong contender for the Oscar. Both give assured performances, although Troy is such an instantly dis- likable and pitiable character that I could feel my emotions influencing my judgement about his performance.

But this is also a strong ensemble cast, with Mykelti Williamson (famously appearing as Bubba of the 'Bubba Gump Shrimp Factory' fame) being effective as Troy's disabled brother and English-born Jovan Adepo being particularly impressive in an extremely assured feature debut.

However, the Broadway roots of the piece are highly visible with 98% of the film set either in the back yard, in the house, or on the front steps (the set could clearly rotate!). For such a claustrophobic topic, this is perhaps apt. But as a feature film I longed for the action to go elsewhere. The film version of the story – with a few tweaks to the screenplay – has lots of opportunities for this, but these are never taken. This makes the whole piece feel 'worthy but dull'. In particular, anyone looking for a useful tutorial on fence building needs to look elsewhere!

As for the recent "Moonlight" there is also excessive use of the "N" word and other outdated racial references that have the potential to offend.

Good luck to Viola Davis and Denzel Washington (who also directed this) for their Best Supporting Actress and Best Actor Oscars nominations. But "Best Film" Oscar? No, I don't think so. In truth this is a film that I will struggle to remember or get excited about in a month's time and it will not be on my re-watch list.

(This review was written just prior to the 2017 Oscars. For the graphical version, and to comment, please visit bob-the-movie- man.com).


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