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Повелитель бури (2008)

The Hurt Locker (original title)
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2:31 | Trailer
During the Iraq War, a Sergeant recently assigned to an army bomb squad is put at odds with his squad mates due to his maverick way of handling his work.

Director:

Kathryn Bigelow

Writer:

Mark Boal
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Popularity
1,016 ( 111)
Won 6 Oscars. Another 117 wins & 126 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jeremy Renner ... Staff Sergeant William James
Anthony Mackie ... Sergeant JT Sanborn
Brian Geraghty ... Specialist Owen Eldridge
Guy Pearce ... Sergeant Matt Thompson
Ralph Fiennes ... Contractor Team Leader
David Morse ... Colonel Reed
Evangeline Lilly ... Connie James
Christian Camargo ... Colonel John Cambridge
Suhail Dabbach ... Black Suit Man (as Suhail Al-Dabbach)
Christopher Sayegh Christopher Sayegh ... Beckham
Nabil Koni Nabil Koni ... Professor Nabil
Sam Spruell ... Contractor Charlie
Sam Redford Sam Redford ... Contractor Jimmy
Feisal Sadoun Feisal Sadoun ... Contractor Feisal
Barrie Rice Barrie Rice ... Contractor Chris
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Storyline

An intense portrayal of elite soldiers who have one of the most dangerous jobs in the world: disarming bombs in the heat of combat. When a new sergeant, James, takes over a highly trained bomb disposal team amidst violent conflict, he surprises his two subordinates, Sanborn and Eldridge, by recklessly plunging them into a deadly game of urban combat, behaving as if he's indifferent to death. As the men struggle to control their wild new leader, the city explodes into chaos, and James' true character reveals itself in a way that will change each man forever. Written by BWR Public Relations

Plot Summary | Plot Synopsis

Taglines:

War is a drug. See more »

Genres:

Drama | Thriller | War

Motion Picture Rating (MPAA)

Rated R for war violence and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Arabic

Release Date:

14 January 2010 (Russia) See more »

Also Known As:

Повелитель бури See more »

Filming Locations:

British Columbia, Canada See more »

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Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend USA:

$145,352, 28 June 2009, Limited Release

Gross USA:

$17,017,811, 12 May 2015

Cumulative Worldwide Gross:

$49,230,772, 12 May 2015
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The production had a hard time booking key crew members and department heads, since the film was shot on location in the Middle East (specifically in Jordan, the country right next door to Iraq). See more »

Goofs

When the Iraqi cab driver runs the line and stops inches from James, James pulls his gun and eventually shoots out the car's windshield. The glass shatters as though constructed of tempered glass. A typical windshield is constructed of laminated glass and would leave a well-defined bullet hole if shot. See more »

Quotes

Sergeant JT Sanborn: [as a teammate approaches an unexploded bomb] You know, these detonators misfire all the time.
Spc. Owen Eldridge: What are you doing?
Sergeant JT Sanborn: I'm just saying shit happens. They misfire.
Spc. Owen Eldridge: He'd be obliterated to nothing.
Sergeant JT Sanborn: His helmet would be left. You could have that. Little specs of hair charred on the inside.
Spc. Owen Eldridge: Yeah. There'd be half a helmet somewhere, with bits of hair.
Sergeant JT Sanborn: Have to ask for a change in technique and protocol, and make sure this type of accident never happen again, you know? You'd have to write the report.
Spc. Owen Eldridge: Are you...
[...]
See more »

Crazy Credits

There are no opening credits, not even a title. See more »

Connections

Referenced in Раскосяченные: Buds Light (2018) See more »

Soundtracks

Palestina
Written by Al Jourgensen (as Jourgensen) / Tommy Victor (as Victor) / Ministry
Performed by Ministry
Courtesy of 13th Planet Records, Inc.
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Frequently Asked Questions

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User Reviews

 
Strong contender for best movie of 2009
15 August 2010 | by DogwhizSee all my reviews

Quite easily the best movie of 2009 and the best war movie since Black Hawk Down and maybe even beyond that, The Hurt Locker does something that few other war movies seem to be able to do. Rather than focusing on rapid-action combat scenes and the oh-so-emotional mental breakdowns that all soldiers seem to dramatically endure in Hollywood (Platoon, much?), it emphasizes the relationships of soldiers and the intensity of everyday living in Iraq– intensity that doesn't diminish when the guns are holstered. And that's where you'll see the real difference.

The film introduces a seemingly new and unique idea by following a U.S. Army Explosive Ordinance Disposal (EOD) team as they go around defusing potential bombs all around town– a concept that allows the typical fast-action war theme to take a backseat to the dramatic intensity of the three team members' escapades and arguments. It's all about survival and this time around, it's the calm, isolated atmosphere and the feeling of never being truly safe that creates the ever-present suspense. The exceptional editing is partially to thank for such constant energy and pace. Quick transitions ensure that there is never a dull moment and the audience is always thrust into the middle of the action. Plus, director Kathryn Bigelow employed some amazing cinematography (thanks to Barry Ackroyd, United 93) and some of the best shaky hand-held-cam and zoom work I've seen yet. It seems that, for some, this might be a turn-off, but personally, I believe those who complain about shaky cam need to take a closer look at its purpose and realize that it's far more effective in establishing a documentary-like feel for raw and engaging films such as this one.

The interaction between the soldiers is a key point of the film and the entire project is clearly intended to be largely character-driven. You will more than likely find yourself sympathizing with all of the main characters at some point and several others along the way. More than just observing a character's breakdown at the scene of war such as in films like Jarhead, The Hurt Locker immerses the viewer in the world of the characters themselves and practically forces you to care for them– and I mean that in the best way possible. And perhaps the difference is also partially distinguished by the quality of acting. And if there's anyone who deserves recognition for their acting, it's most certainly Jeremy Renner, who surprises with a top-notch performance as Staff Sergeant William James. His performance will have you laughing at bits of humor scattered throughout, gasping in disbelief at one point, shedding a sympathetic tear at another, and yelling at him in exasperation in yet another scene. The characters are never two-dimensional and the film always manages to provide constant reminders that all of the soldiers are just normal people in war situations, driving its purpose home even more effectively. Anthony Mackie and Brian Geraghty are impressive in their own roles and share great chemistry both with each other and with Renner. The relationships between the three follow no stereotyped guidelines and their interactions are almost always unpredictable. Further down the billing, Guy Pearce and Ralph Fiennes also give solid performances worth mentioning.

Overall, The Hurt Locker is a movie that keeps you on the edge of your seat the whole way through and packs a visual and cinematographic punch without the over-the-top Hollywood action scenes and special effects. While the storyline may be inaccurate when it comes to certain little details (as many war vets have noted), it's a unique one and allows for much more realistic and well-rounded characters. You'll walk away with your heart still beating fast for a good while after the credits roll and it'll make you think for an even further extended period of time. Everything about its design and execution will stick with you.

--The Motion Picture Underground


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