7.9/10
87,961
356 user 110 critic

Midnight Cowboy (1969)

12+ | | Drama | 16 June 1969 (Brazil)
A naive hustler travels from Texas to New York City to seek personal fortune, finding a new friend in the process.

Director:

John Schlesinger

Writers:

Waldo Salt (screenplay), James Leo Herlihy (based on the novel by)
Reviews
Popularity
2,273 ( 276)
Won 3 Oscars. Another 24 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
Dustin Hoffman ... Ratso
Jon Voight ... Joe Buck
Sylvia Miles ... Cass
John McGiver ... Mr. O'Daniel
Brenda Vaccaro ... Shirley
Barnard Hughes ... Towny
Ruth White ... Sally Buck - Texas
Jennifer Salt ... Annie - Texas
Gilman Rankin ... Woodsy Niles - Texas (as Gil Rankin)
Gary Owens Gary Owens ... Little Joe - Texas
T. Tom Marlow T. Tom Marlow ... Little Joe - Texas
George Eppersen George Eppersen ... Ralph - Texas
Al Scott Al Scott ... Cafeteria Manager - Texas
Linda Davis Linda Davis ... Mother on the Bus - Texas
J.T. Masters J.T. Masters ... Old Cow-Hand - Texas
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Storyline

Texas greenhorn Joe Buck arrives in New York City for the first time. Preening himself as a real "hustler", he finds that he is the one getting "hustled" until he teams up with down-and-out but resilient outcast Ratso Rizzo. The initial "country cousin meets city cousin" relationship deepens. In their efforts to bilk a hostile world rebuffing them at every turn, this unlikely pair progress from partners in shady business to comrades. Each has found his first real friend. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

For those who have never seen it and those who have never forgotten it. (1980 re-release) See more »

Genres:

Drama

Certificate:

12+ | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

MGM

Country:

USA

Language:

English | Italian

Release Date:

16 June 1969 (Brazil) See more »

Also Known As:

Perdidos en la noche See more »

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Box Office

Budget:

$3,600,000 (estimated)

Gross USA:

$44,785,053
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

There's a speakeasy bar in Austin, Texas named after the film. Midnight Cowboy the bar is located inside a former oriental massage parlor that was busted by the F.B.I., hence the seedy name. It has a red light, not a sign, outside to mark the place. In order to drink there, you need to make a reservation online, and when you get there, you buzz the box and give the password "Harry Craddock". They have rules, though: no talking on your cell phone inside the bar, and no "excessive displays of public affection". See more »

Goofs

Ceilingless set and lighting equipment can be briefly seen in several shots in Cass' bedroom. See more »

Quotes

[first lines]
Joe Buck: Whoopee-tee-yi-yo. Get along little dogies. It's your misfortune and none of my own.
See more »

Alternate Versions

ABC edited 25 minutes from this film for its 1974 network television premiere. See more »

Connections

Features Chôhen kaijû eiga: Urutoraman (1967) See more »

Soundtracks

Science Fiction
(uncredited)
Music by John Barry
See more »

Frequently Asked Questions

See more »

User Reviews

 
Big Joe Heads To The Big Apple
15 June 2005 | by LechuguillaSee all my reviews

Virile, but naive, big Joe Buck leaves his home in Big Spring, Texas, and hustles off to the Big Apple in search of women and big bucks. In NYC, JB meets up with frustration, and with "Ratso" Rizzo, a scruffy but cordial con artist. Somehow, this mismatched pair manage to survive each other which in turn helps both of them cope with a gritty, sometimes brutal, urban America, en route to a poignant ending.

Both funny and depressing, our "Midnight Cowboy" rides head-on into the vortex of cyclonic cultural change, and thus confirms to 1969 viewers that they, themselves, have been swept away from the 1950's age of innocence, and dropped, Dorothy and Toto like, into the 1960's Age of Aquarius.

The film's direction is masterful; the casting is perfect; the acting is top notch; the script is crisp and cogent; the cinematography is engaging; and the music enhances all of the above. Deservedly, it won the best picture Oscar of 1969, and I would vote it as one of the best films of that cyclonic decade.


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