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Это случилось однажды ночью (1934)

It Happened One Night (original title)
Trailer
2:31 | Trailer
A spoiled heiress running away from her family is helped by a man who is actually a reporter in need of a story.

Director:

Frank Capra

Writers:

Robert Riskin (screen play), Samuel Hopkins Adams (based on the short story by)
Top Rated Movies #186 | Won 5 Oscars. Another 5 wins & 2 nominations. See more awards »

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Cast

Complete credited cast:
Clark Gable ... Peter
Claudette Colbert ... Ellie
Walter Connolly ... Andrews
Roscoe Karns ... Shapeley
Jameson Thomas ... Westley
Alan Hale ... Danker
Arthur Hoyt ... Zeke
Blanche Friderici ... Zeke's Wife
Charles C. Wilson ... Gordon
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Storyline

Ellie Andrews has just tied the knot with society aviator King Westley when she is whisked away to her father's yacht and out of King's clutches. Ellie jumps ship and eventually winds up on a bus headed back to her husband. Reluctantly she must accept the help of out-of- work reporter Peter Warne. Actually, Warne doesn't give her any choice: either she sticks with him until he gets her back to her husband, or he'll blow the whistle on Ellie to her father. Either way, Peter gets what (he thinks!) he wants .... a really juicy newspaper story. Written by A.L.Beneteau <albl@inforamp.net>

Plot Summary | Plot Synopsis

Taglines:

An unforgettable entertainment...the outstanding performance of two outstanding careers! See more »

Genres:

Comedy | Romance

Certificate:

See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

22 February 1934 (USA) See more »

Also Known As:

Это случилось однажды ночью See more »

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Box Office

Budget:

$325,000 (estimated)

Gross USA:

$4,360,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (cut TV)

Sound Mix:

Mono (Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Claudette Colbert complained nearly every day during the making of the film. On the last day of shooting she told a friend, "I just finished making the worst picture I've ever made". See more »

Goofs

When Peter is making breakfast for Ellen, as the table is first set, there are six doughnuts on the plate in the lower left corner of the screen, but when they sit and begin eating and discussing what there is to eat, there are only two. See more »

Quotes

[Peter watches as Ellie dunks her donut]
Peter Warne: Say, where'd you learn to dunk? In finishing school?
Ellie Andrews: Aw, now don't you start telling me I shouldn't dunk.
Peter Warne: Of course you shouldn't - you don't know how to do it. Dunking's an art. Don't let it soak so long. A dip and
[he stuffs the donut in his mouth]
Peter Warne: plop, in your mouth. You let it hang there too long, it'll get soft and fall off. It's all a matter of timing. Aw, I oughta write a book about it.
Ellie Andrews: [laughs] Thanks, professor.
Peter Warne: Just goes to show you - twenty ...
[...]
See more »

Connections

Remade as Dil Hai Ki Manta Nahin (1991) See more »

Soundtracks

Bridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Written by Richard Wagner
Sung by an offscreen chorus during the wedding
See more »

Frequently Asked Questions

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User Reviews

A fantastic Capra film.
7 May 2003 | by emma502See all my reviews

It Happened One Night directed by Frank Capra was made and released in 1934 by Columbia Pictures as a small budget film that was not expected to do well at the box office. Yet, after its release the film gained many accolades and won the Academy Award for best picture in 1934. Due to the original small nature of the film, the leading man role was surprisingly filled by Clark Gable who was on loan from another studio. He stared opposite of Claudette Colbert. Capra's film was a combination of many ideals, emotions and social perceptions of the American society of the thirties but it was also a combination of many new and innovative filming techniques and sound advancements. The film unfolds the story in such a attention-grabbing and remarkable way that most of today's cinema use his style and ideals when producing and creating films. Capra used the idea of a moving camera, one that was not fixed upon a box, but on a moveable crane instead. This produced more sweeping shots, more angles for filming and fewer distance shots. It allowed for more movement of the actors as well as a more realistic and real life feeling to the movie. The film also incorporates back projection of images. This is were a scene is filmed previously and played in the background while the actors perform the scene in front of the projection. Back projection is used for car scenes to give the impression that the actors are driving but in reality they are in a sound stage. Capra also incorporated the use of a wipe in his film. The technique of moving left to right and fading in or out to change a scene or show elapsed time took the place of the traditional place cards in silent films and allowed for a more constant stream for the film. The film was also all talk, the new technology of a sound strip on the side of the film was used. The text cards of silent films were completely discarded. Another camera trick by Capra is to show a change in feelings within Clark Gable's character for Claudette Colbert's character by depicting her character in a different light. This happens two times within the film at key moments to the development of their relationship. Claudette Colbert is seen in a close up of softer light to emphasize Clark Gable's character seeing her in a `different light.' In this romantic comedy Capra not only showed new styles and techniques but also addressed social issues of the time. Through comedy he showed the outlandish nature of the rich (King arriving for his own wedding in a helicopter) and the nature of man being the controller in relationships as well as in society. The fighting and struggles between the two main characters showed the man taking care of the woman, the social norms of how men and woman should act around each other in that era. But the fighting and the banter also show a strong-minded and intelligent woman. The two strong-willed main characters balanced each other out.

Capra's techniques for showing the social relationship between the rich and working classes as well as a relationship between man and woman in the 1930s captured film makers and film viewers for over 70 years. Films are now compared to his style of camera movement and his style of capturing the American ideals. When movies of today make a similar statement of achieving what one wants they are referred to as Capra-esc. Capra's imagination and style is one that changed the outlook of American films and introduced a new genre to film goers everywhere.


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